Aditi Shivaramakrishnan is a Singapore-based editor, writer, and speech-to-text interpreter with an interest in works exploring gender, feminism, and immigrant experiences and ideas.
EDITORIAL PROJECTS (SELECTED)
2025 Writer, Festival Guide, 36th Singapore International Film Festival
2024 Writer, Festival Guide, 35th Singapore International Film Festival
2024 Writer, Arts for Community Building: A Programme Design Toolkit, National Arts Council Singapore
2023 Writer, Festival Guide, 34th Singapore International Film Festival
2023 Project Editor, Dance in the Destruction Dance, Singapore Art Museum
2022 Project Editor, Living Pictures: Photography in Southeast Asia, National Gallery Singapore
2022 Writer, Festival Guide, 33rd Singapore International Film Festival
2021 Writer, Festival Guide, 32nd Singapore International Film Festival
2021 Editor, Kampung Jurong Issue 4: Lost & Found produced by Ong Yuqi & Pok Yue Weng
2021 Editor, Kampung Jurong Issue 3: Coming of Age produced by Ong Yuqi & Pok Yue Weng
2019 Editor, Kampung Jurong Issue 1 produced by Ong Yuqi & Pok Yue Weng
2015 Project Manager, The Art of Charlie Chan Hock Chye by Sonny Liew, Epigram Books
2014 Editor, Last Train from Tanjong Pagar by Koh Hong Teng, Epigram Books
2014 Editor, Tiananmen: 25th Anniversary Edition by Morgan Chua, Epigram Books
2013 Editor, Myth of the Stone: 20th Anniversary Edition by Gwee Li Sui, Epigram Books
PUBLISHED WRITING (SELECTED)
2025 The Unbearable Itchiness of Being, Asian Film Archive Despatches
2025 Movement as survival: the migratory paths of ‘Eclipse’ and ‘The Troupe’, Jom
2024 To see, and be seen: a close watch of ‘Small Hours of the Night’, Jom
2023 Psychobitch: Anya’s Lonely Journey, Jom
2023 Love, Loss and Liminality: (Im)migrant Journeys, Asian Film Archive Despatches
2023 Staging Unseen Singapore Stories, Esplanade Offstage
2023 Beyond Bindis & Binaries: Dress-Up Diaries of a Diaspora Daughter, MANIFESTO (Fashion Revolution Week 2023)
2022 In Memoriam: Singapore, ArtsEquator
2022 Storytelling and Mental Wellness, ArtsEquator
2022 Unavu, Unarvu (Food, Feeling), SEASONINGS #04_The National Day Edition
2022 Chapter 1/X: நல்வரவு (Welcome), Portside Review
2022 [Interview] Spectrum of Nature in SIFA 2022, ArtsEquator
2021 Quiz: What’s Your Guilty Pleasure?, ArtsEquator
2021 [Interview] Alternative Lessons for Women: Sonia Kwek and Tan Weiying on sex, desire and the erotic, ArtsEquator
2020 In a Material World: IMPART Collectors’ Show 2020 & Justice for All, ArtsEquator
2018 The Fulcrum: Reflections on The Hour Before She Sleeps by Mindy Tan, Exactly Foundation
2018 [Review] ITI’s “Extremities”: Routes for Escape and Redemption, ArtsEquator
2017 [Review] Rosy dreams rosy dreams: On “Lipstick Under My Burkha”, gal-dem
PRESENTATIONS, READINGS, TALKS & WORKSHOPS
2025 Selection Panel (Student Category), Singapore Youth Film Festival 2026, Objectifs Centre for Photography & Film x *SCAPE
2025 Participant, Teka-teki Sinema Film Programming Workshop, Forum Film Dokumenter
2025 Guest Speaker, Film Criticism Lab, NTU Film Society
2024 Writing Fellow, Cinemovement Lab VII Tokyo, Cinemovement
2024, Selection Panel, Singapore Shorts ‘24, Asian Film Archive
2021 Moderator, Rehana Maryam Noor Q&A, dir. Abdullah Mohammad Saad, 32nd Singapore International Film Festival
2020 Reader, NEW ENCOUNTERS / NEW WORKS ft. Larry Ypil, Sing Lit Station, Singapore
2020 Participant, Think Tank: New Curriculum for Old Questions, NUS Centre for the Arts, Singapore
2018 Moderator, Post-Screening Q&A for Three Adventures of Brooke, dir. Yuan Qing, 29th Singapore International Film Festival
2017 Moderator, Post-Screening Q&A for hUSh, dir. Kan Lume & Djenar Maesa Ayu, 28th Singapore International Film Festival